1. What attracted you to this particular space in the Hamilton building? How do the characteristics of the space relate to your work in particular?
是什么吸引你到汉密尔顿大厦的这个特别的空间里来的？这个空间的特质与你的作品有着怎样特殊的关联？
　　这个超出了日常经验的怪物，是成形之前的混沌，体现出物质的运动过程，虽然它静静的屹立在这里，却似乎运行不止，永不会停息。
　　我的作品也是回到了形象诞生之前的混沌状态，由混沌状态孕育出形象。在混沌之中，没有局限性、相互交融。从这一点来说，我的作品与这个奇异的空间拥抱了。
　　This monster that lies beyond the confines of daily experience, the chaos before taking shape, the manifestation of the movement of matters. Even though the building stands there still and unmoving, it appears to be in perpetual motion.
　　My work also goes back to the chaotic state before shape is born, chaos that gives rise to shape. In the chaos, there is no limit and things are intertwined, fused. From this perspective, my work and the miraculous space are in one embrace.
2. What were your initial reactions to the Libeskind-designed Hamilton building? reactions to the concept behind Embrace of asking artists to "take it over?"
对这座Labeskind设计风格的汉密尔顿大厦，你最初的反应是怎样的？
对于“拥抱”展请艺术家自己去发挥的这样的概念，你的反应又如何？
　　奇异的建筑是真正的冒险，给每一个展览提出极大的挑战的同时，也蕴含着新的生机。这次“拥抱”展，策划人让不同的艺术家用作品与不同的空间融合，作品与空间相互激活，艺术在里面顺势生长，我们变成了美术馆里的细胞。
　　A fantastic building is a bona fide adventure in itself. While posing a great challenge to an exhibition, it also presents it with new vitality. In the “Embrace!” exhibition, the curator allows different artists to blend in with different spaces. Art and space reinvigorate each other, and space empowers art to flourish within the space, while we, the artists, become cells of the museum.
3. There seems to be a narrative of some kind ( of multiple narratives?) in this work. Is this true? Can you talk a little bit about narrative in your work?
这件作品似乎有种叙述性或者多种叙述性之一。是这样吗？
可以简单谈谈这件作品的叙述性吗？
　　这件作品体现了综合作用下的自然成形，即可以看到现实世界的景象，也可以看到现实深处能量世界的运行，造成每个事实（如金融危机）发生的原因只是最近的一步，而原因之前是浩瀚的综合作用，甚至可追溯到宇宙诞生之前。
　　宇宙无际的能量运动决定必然趋势，必然趋势造就机缘，机缘改变下一个瞬间的走向。能量世界由此层层浮出现实世界。
　　This work embodies natural figuration under synthesized influence. Not only are the scenes of the realistic world observed, the motion of deep-lying energy that empowers the world can also be gleamed, rendering every unfolding fact the closest step to reality (such as the financial crisis). What lies before the fact is the immense synthesized impact, something that can be traced to the age before the birth of the universe.
　　The boundless motion of the energy of the universe determines the inevitable trend, which in turn shapes fortunes, which then alters the direction of the next fleeting moment. The energy world thus rises above the realistic world, one after another.
4. Can you talk about the different elements in this work- audio, video, painting on canvas, mirrored wall? Can you talk a bit about their relationship to one another?
可以谈谈这件作品的不同元素吗，比如音频、影像、布面绘画、装了镜子的墙？可以谈一下他们彼此之间的关系吗？
　　这件作品是艺术的整体表达，它包含音频、影像、绘画、装置，地面飘渺的烟雾飘向墙面，衍生出形象，来自宏观世界、现实世界、微观世界的信息相互交织、转换，虽有多种方向的运动，但却难以阻挡滚滚向前的整体趋势，并形成态势，融化在宇宙之中。绘画接着影像从宇宙开始，各种暗物质逐渐转化为历史和现实，每个时空都是普遍联系而不是孤立存在的。从幽暗的深处一步步走向光明，经由镜面的反射，又从光明的现实世界一步步归于黑暗，循环往复、无始无终。音频正是我们地球发散向太空的声音。
　　This work is a holistic expression of art, which includes audio, video, painting and installation. The misty fog drifts towards the wall, ushering in many a form. Messages from the macro-, micro- and the realistic worlds are woven together and switch from one form to another. Although movements are manifold in direction, the general trend can not be obstructed from rolling forward with overwhelming force. Assuming a new orientation, it thaws and vanishes in the universe. Following the video and starting from the universe, the painting begins another journey, and all dark matters gradually become history and reality, with each and every space interconnected rather than stand-alone. Then from the depth of gloom, it walks towards the light, step by step and, through the reflection of the mirror, sinks back into the abyss of darkness, bit by bit. The process continues, unchanging, unceasing. The audio is the sound of the earth, emitted to the space.
5. In general, how do you go about titling your work? Can you talk a little about the title of the work for Embrace? 
总之，您通常是怎样给自己的作品命名的？可以谈一下这次“拥抱！”展的这件作品的题目吗？
　　海市蜃楼是曾经的情景在另一个时空的再现，它包含过去、现在和未来，穿越空间的阻隔，因此与作品有着相同的特质。尽管“海市蜃楼”的题目实际上小于这件作品的内容，但它是一个出口，经由这个出口连接着整个浩瀚的世界。
　　Mirage is an emersion of another space, of what once was. Encompassing the past, the present and the future, it shares with the work of art identical attributes. Although in reality the title “Mirage” is not as broad as what the artwork portrays, it is an opening, a link with the vast world beyond.